Câu hỏi:
23/07/2023 1,067
Read the following passage and choose the correct answer
Even before the turn of the century, movies began to develop in two major directions: the realistic and the formalistic. Realism and formalism are merely general, rather than absolute, terms. When used to suggest a tendency toward either polarity, such labels can be helpful, but in the end they are still just labels. Few films are exclusively formalist in style, and fewer yet are completely realist. There is also an important difference between realism and reality, although this distinction is often forgotten. Realism is a particular style, whereas physical reality is the source of all the raw materials of film, both realistic and formalistic. Virtually all movie directors go to the photographable world for their subject matter, but what they do with this material - how they shape and manipulate it - determines their stylistic emphasis. Generally speaking, realistic films attempt to reproduce the surface of concrete reality with a minimum of distortion. In photographing objects and events, the filmmaker tries to suggest the copiousness of life itself. Both realist and formalist film directors must select (and hence emphasize) certain details from the chaotic sprawl of reality. But the element of selectivity in realistic films is less obvious. Realists, in short, try to preserve the illusion that their film world is unmanipulated, an objective mirror of the actual world. Formalists, on the other hand, make no such pretense. They deliberately stylize and distort their raw materials so that only the very naive would mistake a manipulated image of an object or event for the real thing. We rarely notice the style in a realistic movie; the artist tends to be self-effacing. Some filmmakers are more concerned with what is being shown than how it is manipulated. The camera is used conservatively. It is essentially a recording mechanism that reproduces the surface of tangible objects with as little commentary as possible. A high premium is placed on simplicity, spontaneity, and directness. This is not to suggest that these movies lack artistry, however, for at its best the realistic cinema specializes in art that conceals art.
What does the passage mainly discuss?
Read the following passage and choose the correct answer
Even before the turn of the century, movies began to develop in two major directions: the realistic and the formalistic. Realism and formalism are merely general, rather than absolute, terms. When used to suggest a tendency toward either polarity, such labels can be helpful, but in the end they are still just labels. Few films are exclusively formalist in style, and fewer yet are completely realist. There is also an important difference between realism and reality, although this distinction is often forgotten. Realism is a particular style, whereas physical reality is the source of all the raw materials of film, both realistic and formalistic. Virtually all movie directors go to the photographable world for their subject matter, but what they do with this material - how they shape and manipulate it - determines their stylistic emphasis. Generally speaking, realistic films attempt to reproduce the surface of concrete reality with a minimum of distortion. In photographing objects and events, the filmmaker tries to suggest the copiousness of life itself. Both realist and formalist film directors must select (and hence emphasize) certain details from the chaotic sprawl of reality. But the element of selectivity in realistic films is less obvious. Realists, in short, try to preserve the illusion that their film world is unmanipulated, an objective mirror of the actual world. Formalists, on the other hand, make no such pretense. They deliberately stylize and distort their raw materials so that only the very naive would mistake a manipulated image of an object or event for the real thing. We rarely notice the style in a realistic movie; the artist tends to be self-effacing. Some filmmakers are more concerned with what is being shown than how it is manipulated. The camera is used conservatively. It is essentially a recording mechanism that reproduces the surface of tangible objects with as little commentary as possible. A high premium is placed on simplicity, spontaneity, and directness. This is not to suggest that these movies lack artistry, however, for at its best the realistic cinema specializes in art that conceals art.
What does the passage mainly discuss?
Đáp án chính xác
Câu hỏi trong đề:
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Sách mới 2k7: Tổng ôn Toán, Lí, Hóa, Văn, Sử, Địa…. kỳ thi tốt nghiệp THPT Quốc gia 2025, đánh giá năng lực (chỉ từ 110k).
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Trả lời:
Giải bởi Vietjack
Đáp án: C
Câu hỏi cùng đoạn
Câu 2:
With which of the following statements would theauthor be most likely to agree?
Đáp án chính xác
Lời giải của GV VietJack
Đáp án: B
Câu 3:
Whom does the author say is primarily responsible for the style of a film?
Đáp án chính xác
Lời giải của GV VietJack
Đáp án: A
Câu 4:
The word "shape" in line 7 is closest in meaning to
Đáp án chính xác
Lời giải của GV VietJack
Đáp án: B
Câu 5:
The word "preserve" in line 11 is closest in meaning to
Đáp án chính xác
Lời giải của GV VietJack
Đáp án: B
Câu 6:
The word “They” in line 12 refers to
Đáp án chính xác
Lời giải của GV VietJack
Đáp án: C
Câu 7:
How can one recognize the formalist style?
Đáp án chính xác
Lời giải của GV VietJack
Đáp án: C
Câu 8:
The word "tangible" in line 17 is closest in meaning to
Đáp án chính xác
Lời giải của GV VietJack
Đáp án: A
Câu 9:
Which of the following terms is NOT used to describe realism in filmmaking?
Đáp án chính xác
Lời giải của GV VietJack
Đáp án: D
Câu 10:
Which of the following films would most likely use a realist style?
Đáp án chính xác
Lời giải của GV VietJack
Đáp án: A
Nhà sách VIETJACK:
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