Topic 11: Entertainment

There are three main periods in Beethoven’s music career: early, middle and late.
The beginning of his early period was in 1792 when he moved to Vienna, Austria. Beethoven quickly (1) ________ a name for himself as a talented pianist. His compositions during this period consisted mainly of works for his main instrument, the piano, and were classical in nature. (2)___________, Beethoven’s hearing was beginning to deteriorate during this period, and he tried to hide this fact from those around him.

In 1800, Beethoven turned from the classical forms of the previous century to a more expressive or romantic music. His musical imagination began to grow (3)______ that of the piano. The middle period was believed to be Beethoven’s greatest and most productive stage. In less than a decade, he produced countless masterpieces in every genre.

In 1809, however, his musical (4)_________ began to decline, possibly due to his health problems and mental state. Beethoven stopped conducting and performing in public, but continued to compose – many of his most admired works were created during this period. By 1815, he was almost completely deaf and his manners became increasingly rude. In 1827, he died after a long illness. Nearly 20,000 people lined the streets of Vienna to (5)_________ their last respect to the composer who had changed the music scene of Western Europe.

In the 1960s, it took pop and rock groups one or two days to record other their songs. Nowadays, it can take months and months. Many rock groups begin by recording only one instrument, for example, the voice. Then they record (1)________ instruments – electric piano, synthesizer, guitars, drums and so on.

Next, they might use a computer to add special effects. Finally, they ‘mix’ all the instruments until they get the sound that they want. This means that a CD or cassette will always sound very different from a (2) ______ concert.

Music engineers have developed a new computer programme that will change the future of music. A computer can analyze a singer’s voice. Then if you give the computer the (3)_________ and music of a song, the computer can ‘sing’ it in that voice. This means that a singer only needs to record one song and the computer can then sing other songs in the singer’s own voice. Singers can sing new songs many years after they have died.

Most of us listen to music for pleasure, but for the record companies, music is a product, the same as soap powder. (4)___________ a record company finds a new group (or ‘band’), they first try to develop the band’s ‘profile’. They will try to create an ‘image’ for the band that they think will attract young people. Instead of allowing the band’s full artistic freedom, they will often (5)_______ the band what they should wear, what they should say and how they should sing and play. In recent year, many rock groups have started their own record companies because they say that the big companies are too commercial.

Do you think computer games are just for kids? Then you should think again. You might be surprised to learn that the game industry now (1)_________ more money than Hollywood. From 2009 to 2012, the U.S. video game industry increased in size by more than 9 percent - four times the growth rate of the U.S. economy during the same period. (2)___________a family buys a new PC , all they really want to do is to play games. It is hardly surprising that video gaming has become one of the most popular (3)___________of entertainment today. One study even showed that some mental disorder patients who play games requiring physical interaction while standing on a balance board displayed improvement afterwards. A good game is like a good film; it will hold your (4)__________, capture your imagination and play with your emotions.

The big (5)__________ , however, is that watching a movie is a passive task, you have to say in how the plot develops or which characters dominate the story. With computer games, you direct the action and that is what makes them so exciting.

Many people in Britain and the US belong to at least one club or society. Club is often used to (1) _______ to a group of people who regularly meet together socially or take part in sports. Most young people’s groups are called clubs. A society is usually concerned (2) _____ a special interest, e.g. birdwatching or local history. National societies, such as the Royal Society for the Protection of Birds, usually have local branches.

Social clubs have a bar where members can sit and talk to each other. Member of the upper class or business people may belong to a gentlemen’s club. Most of (3) ______ are in London and even today only some of them allow women to be members. They are places to relax in, (4) _______also to make business contracts and take clients.

Some clubs combine social events with community service. Members of the Rotary Club and the Lions Club are usually (5) ______or business people. In the US, these organizations are called service clubs. Some are open only to men. They hold events to raise money for good causes, e.g. to provide scholarships for university students or to raise money for a hospital.

A friend once boasted to me that she had seen the film The Sound of Music no fewer than 17 times. Personally, I cannot imagine any greater (1) ______of one’s time (once was enough for me), but I have to confess there are films I, too, have watched on multiple occasions without ever growing tired of them. Indeed, some films have benefited (2)______ a second viewing, in exactly the same way that one’s enjoyment of a novel can improve on the second, third or fourth reading. It often feels like a different experience.

And a recent study has shown that it actually is different, that reading books, watching films again or revisiting places (3)_____ you have been happy, ‘results in a new or renewed appreciation’ of the experience. (4)______study says that doing something again enables people not only to relieve the past experience, but also to discover new details. “Therefore, the experience is different, (5) _______ it is repeated,” the research concludes. “By doing it again, people get more out of it.”

Alternative Holidays

The concept of exotic holidays is not new. Cruises and other travel packages to tropical locations have long been popular and are more (1) ____ now than ever. The wealthy have gone on trips to exotic places since the 19th century, but now ordinary people have enough money for this kind of holiday. Holidaymakers are increasingly interested in doing something different and want more exciting (2) ____. A number of tour companies have responded with a new range of options, including African safaris.

Going on a safari is a totally (3) ____ form of holiday. Accompanied by a safari guide, groups travel into the African wilderness to experience close up the thrill of the wild. Being so close to the animals is an once-in-a-lifetime experience. (4) ____ species, which are rarely seen outside the zoo, provide a great (5) ____.

War: very bad for humanity, good for heavy metal. And cult Swedish rockers Sabaton are the best of the best when it comes to militaristic concept albums
Iron Maiden’s ‘The Trooper’. Black Sabbath’s ‘War Pigs’. ‘One’ by Metallica. ‘Angel Of Death’ by Slayer. It’s quite the playlist. And yet it’s unlikely that anyone will ever rival Swedish power metallers Sabaton for their commitment to writing songs about humans shooting each other and blowing stuff up. Sabaton, it should be made clear, are a band who are named after a piece of armour worn on a medieval knight’s foot. The Swedes’ fourth album, 2008’s seminal ‘The Art Of War’, was a concept album based on the writings of the ancient Chinese military strategist Sun Tzu. And, on stage, they normally perform in front of a tank.

This time round the theme is the First World War. It arrives 20 years since the band formed. If you’re a fan of this stuff – powerful, bruising, operatic, performed with absolutely no sense of irony whatsoever – then there’s no question that Sabaton are amongst the best of the best. ‘Fields Of Verdun’ gallops into a colossal hook that’s only superseded by the song’s killer chorus. Opener ‘The Future Of Warfare’ sees singer Joakim Brodén’s vocals building a path skyward, “while” Devil Dogs rampages like Iron Maiden did when punk was still part of their repertoire. This is the album that could take Sabaton upwards.

The subject matter might be heavy, but Sabaton deserve credit for managing to deliver often difficult themes in a way that still manage to be fun – a quality the genre they exist within has lost sight of in recent times – while also maintaining some respect for the fallen.

It was practically the anthem for 2019 World Series, with tens of thousands of Washington Nationals fans clapping in unison and belting out “Baby Shark, doo-doo doo-doo doo-doo.”

In Lebanon, it became a rallying cry after a video of protesters singing to soothe a frightened toddler went viral. And in many other places, the earworm has drawn ridicule, with late-night comedian Jimmy Kimmel suggesting its creator should be jailed for life.

To the contrary, the catchy tune about a family of sharks has become so lucrative that the Korean family behind it is now sitting on a rapidly growing multimillion-dollar fortune. Kim Min-seok co-founded closely held SmartStudy Co. in 2010, and five years later its children’s educational brand, Pinkfong, released “Baby Shark”. His father runs Samsung Publishing Co., which also owns part of the startup. The family fortune, based on stakes held by Kim’s immediate relatives in those two companies, is now about $125 million – much of it thanks to the song. However, when asked, SmartStudy declined to comment on the family’s wealth.

Shares of Samsung Publishing soared 89% the week the World Series began as local media reported on the song’s surging popularity among U.S. baseball fans. National outfielder Gerardo Parra began using it as his walk-up music, leading to crowd sing-alongs with shark-jaw gestures, scenes that echoed across TVs as the team broke out of an early season slump. They rode the wave all the way to the championship.

Kim, 38, hardly set out to write a hit global song. After working at gaming companies including Nexon and developing content for kids at Samsung Publishing, he co-founded SmartStudy to focus on the growing market for educational content for smartphones.

Stage and film acting both involve performances in front of an audience. There are fundamental differences between the two.

When you act for the stage, you are performing in front of a live audience. That means that your voice and your body movements must be clear even to those seated at the back row. Film acting, on the other hand, requires no voice projection. This is because you are performing in front of the camera. Although a film actor still needs to put the right expression to pull off a role realistically, overdoing movement or being overly expressive actually works against him in film acting because this can be construed as overacting. Controlled and small gestures are the requirements when acting for film.

Another difference between stage acting and film acting is the material that is used. Theater involves doing well-known plays time and time again. As such, directors, producers and even avid theater-goers know the plays by heart. Some would even know every line and have developed expectations on how it should be delivered. When a line is not correctly said or the action delivered is not what is expected, an actor can be criticized severely. This is not an issue with film acting because the script is freshly-written. There are basically no expectations on how a role is supposed to be played. Putting the character to life becomes your responsibility and casting directors often choose talents based on their ability to give an authentic and believable performance.

The fact that stage acting is done in real time also differentiates it from film acting. The scenes are done in sequence, often building up to a climax. This means that stage actors can’t afford to make mistakes. They have to memorize their lines well or risk forgetting in the middle of the performance. Stage actors must also exhibit quick thinking in case something unexpected happens on stage. Film acting is not done in front of a live audience. Although actors are encouraged to perform the scene perfectly on the first take because of budgetary considerations, a scene can always be redone in case the director is not satisfied with it. When an actor forgets his lines, there is always a script that can be referred back to without causing any damage to the outcome of the movie.

Can a performance go viral? Ben Platt’s should. As the title character in Dear Evan Hansen, the new musical from Benj Pasek and Justin Paul, he offers acting so precise yet so painfully lucid that it should overwhelm the operating systems by which most contemporary musicals operate. Platt’s gestures, his expressions, his phrasing, even his vocal range – which is impressive but tends to thin out toward the top notes – all combine to communicate the fretfulness, uncertainty and timorous goodness that define his character.

He plays Evan, a friendless high school senior terrified of life, the universe, everything. His harried single mother, Heidi, (Rachel Bay Jones) tells him, “You can’t succeed if you never try.” Evan nods, but you can that he believes more strongly in the corollary: “If you don’t try, you can’t fail.” A therapist has instructed him to write pep-talk letters to himself. On the first day of school, one of them falls into the hands of Connor Murphy (Mike Faist), another outcast with drug problems and a look a peer describes as “school shooter chic”. When Connor kills himself, his parents find the letter and mistakenly believe that Evan was a friend to their son. At first this attention panics Evan, but he soon accepts the role and even briefly becomes an internet sensation. Often he is tempted to tell Connor’s family the truth, but he fears disappointing them and sacrificing his newfound confidence.

Watching Dear Evan Hansen, one often thinks of Next to Normal, another Second Stage show about a mentally distressed protagonist. But with its tuneful pop score and teenage protagonist, Dear Evan Hansen is a gentler affair, even as it takes occasional pains not to oversentimentalize the material. When Evan presents a surprisingly rosy picture of her brother, his sister Zoe (Laura Dreyfuss) sings, “Don’t say it wasn’t true/ That you were not the monster/ That I knew.”

Near the play’s end, Platt positively glistens with sweat and spit and tears. Yet one never has the sense of an actor deliberately winding himself up to deliver a visceral performance. There’s obvious care taken in the way he offers Evan’s cringing smile, his swallowed laugh, his habit of pulling at his clothes as though searching for someone to hold onto. But all of these details feel lived, organic, unrehearsed. And Platt’s ability to convey emotion through song is simply superb and often deeply heartrending.