Danh sách câu hỏi:

Câu 6:

Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the correct answer to each of the following question.

The term "Hudson River school" was applied to the foremost representatives of nineteenth–century North American landscape painting. Apparently unknown during the golden days of the American landscape movement, which began around 1850 and lasted until the late 1860's, the Hudson River school seems to have emerged in the 1870's as a direct result of the struggle between the old and the new generations of artists, each to assert its own style as the representative American art. The older painters, most of whom were born before 1835, practiced in a mode often self–taught and monopolized by landscape subject matter and were securely established in and fostered by the reigning American art organization, the National Academy of Design. The younger painters returning home from training in Europe worked more with figural subject matter and in a bold and impressionistic technique; their prospects for patronage in their own country were uncertain, and they sought to attract it by attaining academic recognition in New York. One of the results of the conflict between the two factions was that what in previous years had been referred to as the "American", "native", or, occasionally, "New York" school–the most representative school of American art in any genre–had by 1890 become firmly established in the minds of critics and public alike as the Hudson River school.

The sobriquet was first applied around 1879. While it was not intended as flattering, it was hardly inappropriate. The Academicians at whom it was aimed had worked and socialized in New York, the Hudson's port city, and had painted the river and its shores with varying frequency. Most important, perhaps, was that they had all maintained with a certain fidelity a manner of technique and composition consistent with those of America's first popular landscape artist, Thomas Cole, who built a career painting the Catskill Mountain scenery bordering the Hudson River. A possible implication in the term applied to the group of landscapists was that many of them had, like Cole, lived on or near the banks of the Hudson. Further, the river had long served as the principal route to other sketching grounds favored by the Academicians, particularly the Adirondacks and the mountains of Vermont and New Hampshire.

What does the passage mainly discuss?

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Câu 7:

Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the correct answer to each of the following question.

The term "Hudson River school" was applied to the foremost representatives of nineteenth–century North American landscape painting. Apparently unknown during the golden days of the American landscape movement, which began around 1850 and lasted until the late 1860's, the Hudson River school seems to have emerged in the 1870's as a direct result of the struggle between the old and the new generations of artists, each to assert its own style as the representative American art. The older painters, most of whom were born before 1835, practiced in a mode often self–taught and monopolized by landscape subject matter and were securely established in and fostered by the reigning American art organization, the National Academy of Design. The younger painters returning home from training in Europe worked more with figural subject matter and in a bold and impressionistic technique; their prospects for patronage in their own country were uncertain, and they sought to attract it by attaining academic recognition in New York. One of the results of the conflict between the two factions was that what in previous years had been referred to as the "American", "native", or, occasionally, "New York" school–the most representative school of American art in any genre–had by 1890 become firmly established in the minds of critics and public alike as the Hudson River school.

The sobriquet was first applied around 1879. While it was not intended as flattering, it was hardly inappropriate. The Academicians at whom it was aimed had worked and socialized in New York, the Hudson's port city, and had painted the river and its shores with varying frequency. Most important, perhaps, was that they had all maintained with a certain fidelity a manner of technique and composition consistent with those of America's first popular landscape artist, Thomas Cole, who built a career painting the Catskill Mountain scenery bordering the Hudson River. A possible implication in the term applied to the group of landscapists was that many of them had, like Cole, lived on or near the banks of the Hudson. Further, the river had long served as the principal route to other sketching grounds favored by the Academicians, particularly the Adirondacks and the mountains of Vermont and New Hampshire. 

Before 1870, what was considered the most representative kind of American painting?

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Câu 8:

Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the correct answer to each of the following question. 

The term "Hudson River school" was applied to the foremost representatives of nineteenth–century North American landscape painting. Apparently unknown during the golden days of the American landscape movement, which began around 1850 and lasted until the late 1860's, the Hudson River school seems to have emerged in the 1870's as a direct result of the struggle between the old and the new generations of artists, each to assert its own style as the representative American art. The older painters, most of whom were born before 1835, practiced in a mode often self–taught and monopolized by landscape subject matter and were securely established in and fostered by the reigning American art organization, the National Academy of Design. The younger painters returning home from training in Europe worked more with figural subject matter and in a bold and impressionistic technique; their prospects for patronage in their own country were uncertain, and they sought to attract it by attaining academic recognition in New York. One of the results of the conflict between the two factions was that what in previous years had been referred to as the "American", "native", or, occasionally, "New York" school–the most representative school of American art in any genre–had by 1890 become firmly established in the minds of critics and public alike as the Hudson River school. 

The sobriquet was first applied around 1879. While it was not intended as flattering, it was hardly inappropriate. The Academicians at whom it was aimed had worked and socialized in New York, the Hudson's port city, and had painted the river and its shores with varying frequency. Most important, perhaps, was that they had all maintained with a certain fidelity a manner of technique and composition consistent with those of America's first popular landscape artist, Thomas Cole, who built a career painting the Catskill Mountain scenery bordering the Hudson River. A possible implication in the term applied to the group of landscapists was that many of them had, like Cole, lived on or near the banks of the Hudson. Further, the river had long served as the principal route to other sketching grounds favored by the Academicians, particularly the Adirondacks and the mountains of Vermont and New Hampshire.

The word "monopolized" in paragraph 1 is closest in meaning to _______. 

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Câu 9:

Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the correct answer to each of the following question. 

The term "Hudson River school" was applied to the foremost representatives of nineteenth–century North American landscape painting. Apparently unknown during the golden days of the American landscape movement, which began around 1850 and lasted until the late 1860's, the Hudson River school seems to have emerged in the 1870's as a direct result of the struggle between the old and the new generations of artists, each to assert its own style as the representative American art. The older painters, most of whom were born before 1835, practiced in a mode often self–taught and monopolized by landscape subject matter and were securely established in and fostered by the reigning American art organization, the National Academy of Design. The younger painters returning home from training in Europe worked more with figural subject matter and in a bold and impressionistic technique; their prospects for patronage in their own country were uncertain, and they sought to attract it by attaining academic recognition in New York. One of the results of the conflict between the two factions was that what in previous years had been referred to as the "American", "native", or, occasionally, "New York" school–the most representative school of American art in any genre–had by 1890 become firmly established in the minds of critics and public alike as the Hudson River school. 

The sobriquet was first applied around 1879. While it was not intended as flattering, it was hardly inappropriate. The Academicians at whom it was aimed had worked and socialized in New York, the Hudson's port city, and had painted the river and its shores with varying frequency. Most important, perhaps, was that they had all maintained with a certain fidelity a manner of technique and composition consistent with those of America's first popular landscape artist, Thomas Cole, who built a career painting the Catskill Mountain scenery bordering the Hudson River. A possible implication in the term applied to the group of landscapists was that many of them had, like Cole, lived on or near the banks of the Hudson. Further, the river had long served as the principal route to other sketching grounds favored by the Academicians, particularly the Adirondacks and the mountains of Vermont and New Hampshire.

According to the passage, what was the function of the National Academy of Design for the painters born before 1835?

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Câu 10:

Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the correct answer to each of the following question. 

The term "Hudson River school" was applied to the foremost representatives of nineteenth–century North American landscape painting. Apparently unknown during the golden days of the American landscape movement, which began around 1850 and lasted until the late 1860's, the Hudson River school seems to have emerged in the 1870's as a direct result of the struggle between the old and the new generations of artists, each to assert its own style as the representative American art. The older painters, most of whom were born before 1835, practiced in a mode often self–taught and monopolized by landscape subject matter and were securely established in and fostered by the reigning American art organization, the National Academy of Design. The younger painters returning home from training in Europe worked more with figural subject matter and in a bold and impressionistic technique; their prospects for patronage in their own country were uncertain, and they sought to attract it by attaining academic recognition in New York. One of the results of the conflict between the two factions was that what in previous years had been referred to as the "American", "native", or, occasionally, "New York" school–the most representative school of American art in any genre–had by 1890 become firmly established in the minds of critics and public alike as the Hudson River school. 

The sobriquet was first applied around 1879. While it was not intended as flattering, it was hardly inappropriate. The Academicians at whom it was aimed had worked and socialized in New York, the Hudson's port city, and had painted the river and its shores with varying frequency. Most important, perhaps, was that they had all maintained with a certain fidelity a manner of technique and composition consistent with those of America's first popular landscape artist, Thomas Cole, who built a career painting the Catskill Mountain scenery bordering the Hudson River. A possible implication in the term applied to the group of landscapists was that many of them had, like Cole, lived on or near the banks of the Hudson. Further, the river had long served as the principal route to other sketching grounds favored by the Academicians, particularly the Adirondacks and the mountains of Vermont and New Hampshire.

The word "it" in paragraph 1 refers to _______.

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Câu 11:

Mark the letter A, B, C or D on your answer sheet to indicate the sentence that is closest in meaning to each of the following questions

In order not to disturb our conversation, he took his seat quietly

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Câu 12:

Mark the letter A, B, C or D on your answer sheet to indicate the sentence that is closest in meaning to each of the following questions

I always hated pasta when I was a child. Now I cook it regularly

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Câu 13:

Mark the letter A, B, C or D on your answer sheet to indicate the sentence that is closest in meaning to each of the following questions

Expert thought that infected chickens were responsible for the outbreak of flu.

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Câu 14:

Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the correct answer to each of the following question. 

Although social changes in the United States were being wrought throughout most of the nineteenth–century, public awareness of the changes increased to new levels in the 1890's. The acute, growing public awareness of the social changes that had been taking place for some time was tied to tremendous growth in popular journalism in the late nineteenth century, including growth in quantity and circulation of both magazines and newspapers. These developments, in addition to the continued growth of cities, were significant factors in the transformation of society from one characterized by relatively isolated self–contained communities into an urban, industrial nation. The decade of the 1870's, for example, was a period in which the sheer number of newspapers doubled, and by 1880 the New York Graphic had published the first photographic reproduction in a newspaper, portending a dramatic rise in newspaper readership. Between 1882 and 1886 alone, the price of daily newspapers dropped from four cents a copy to one cent, made possible in part by a great increase in demand. Furthermore, the introduction in 1890 of the first successful linotype machine promised even further growth. In 1872 only two daily newspapers could claim a circulation of over 100,000, but by 1892 seven more newspapers exceeded that figure. A world beyond the immediate community was rapidly becoming visible. 

But it was not newspapers alone that were bringing the new awareness to people in the United States in the late nineteenth century. Magazines as they are known today began publication around 1882, and, in fact, the circulation of weekly magazines exceeded that of newspapers in the period which followed. By 1892, for example, the circulation of the Ladies' Home Journal had reached an astounding 700,000. An increase in book readership also played a significant part in this general trend. For example, Edward Bellamy's utopian novel, Looking Backward, sold over a million copies in1888, giving rise to the growth of organizations dedicated to the realization of Bellamy's vision of the future. The printed word, unquestionably, was intruding on the insulation that had characterized United States society in an earlier period.

The word "acute" in line 3 is closest in meaning to _______.

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Câu 15:

Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the correct answer to each of the following question. 

Although social changes in the United States were being wrought throughout most of the nineteenth–century, public awareness of the changes increased to new levels in the 1890's. The acute, growing public awareness of the social changes that had been taking place for some time was tied to tremendous growth in popular journalism in the late nineteenth century, including growth in quantity and circulation of both magazines and newspapers. These developments, in addition to the continued growth of cities, were significant factors in the transformation of society from one characterized by relatively isolated self–contained communities into an urban, industrial nation. The decade of the 1870's, for example, was a period in which the sheer number of newspapers doubled, and by 1880 the New York Graphic had published the first photographic reproduction in a newspaper, portending a dramatic rise in newspaper readership. Between 1882 and 1886 alone, the price of daily newspapers dropped from four cents a copy to one cent, made possible in part by a great increase in demand. Furthermore, the introduction in 1890 of the first successful linotype machine promised even further growth. In 1872 only two daily newspapers could claim a circulation of over 100,000, but by 1892 seven more newspapers exceeded that figure. A world beyond the immediate community was rapidly becoming visible. 

But it was not newspapers alone that were bringing the new awareness to people in the United States in the late nineteenth century. Magazines as they are known today began publication around 1882, and, in fact, the circulation of weekly magazines exceeded that of newspapers in the period which followed. By 1892, for example, the circulation of the Ladies' Home Journal had reached an astounding 700,000. An increase in book readership also played a significant part in this general trend. For example, Edward Bellamy's utopian novel, Looking Backward, sold over a million copies in1888, giving rise to the growth of organizations dedicated to the realization of Bellamy's vision of the future. The printed word, unquestionably, was intruding on the insulation that had characterized United States society in an earlier period.

According to the passage, the expansion of popular journalism was linked to _______.

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Câu 16:

Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the correct answer to each of the following question. 

Although social changes in the United States were being wrought throughout most of the nineteenth–century, public awareness of the changes increased to new levels in the 1890's. The acute, growing public awareness of the social changes that had been taking place for some time was tied to tremendous growth in popular journalism in the late nineteenth century, including growth in quantity and circulation of both magazines and newspapers. These developments, in addition to the continued growth of cities, were significant factors in the transformation of society from one characterized by relatively isolated self–contained communities into an urban, industrial nation. The decade of the 1870's, for example, was a period in which the sheer number of newspapers doubled, and by 1880 the New York Graphic had published the first photographic reproduction in a newspaper, portending a dramatic rise in newspaper readership. Between 1882 and 1886 alone, the price of daily newspapers dropped from four cents a copy to one cent, made possible in part by a great increase in demand. Furthermore, the introduction in 1890 of the first successful linotype machine promised even further growth. In 1872 only two daily newspapers could claim a circulation of over 100,000, but by 1892 seven more newspapers exceeded that figure. A world beyond the immediate community was rapidly becoming visible. 

But it was not newspapers alone that were bringing the new awareness to people in the United States in the late nineteenth century. Magazines as they are known today began publication around 1882, and, in fact, the circulation of weekly magazines exceeded that of newspapers in the period which followed. By 1892, for example, the circulation of the Ladies' Home Journal had reached an astounding 700,000. An increase in book readership also played a significant part in this general trend. For example, Edward Bellamy's utopian novel, Looking Backward, sold over a million copies in1888, giving rise to the growth of organizations dedicated to the realization of Bellamy's vision of the future. The printed word, unquestionably, was intruding on the insulation that had characterized United States society in an earlier period.

According to the passage, the New York Graphic's inclusion of photographs contributed to _______.

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Câu 17:

Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the correct answer to each of the following question. 

Although social changes in the United States were being wrought throughout most of the nineteenth–century, public awareness of the changes increased to new levels in the 1890's. The acute, growing public awareness of the social changes that had been taking place for some time was tied to tremendous growth in popular journalism in the late nineteenth century, including growth in quantity and circulation of both magazines and newspapers. These developments, in addition to the continued growth of cities, were significant factors in the transformation of society from one characterized by relatively isolated self–contained communities into an urban, industrial nation. The decade of the 1870's, for example, was a period in which the sheer number of newspapers doubled, and by 1880 the New York Graphic had published the first photographic reproduction in a newspaper, portending a dramatic rise in newspaper readership. Between 1882 and 1886 alone, the price of daily newspapers dropped from four cents a copy to one cent, made possible in part by a great increase in demand. Furthermore, the introduction in 1890 of the first successful linotype machine promised even further growth. In 1872 only two daily newspapers could claim a circulation of over 100,000, but by 1892 seven more newspapers exceeded that figure. A world beyond the immediate community was rapidly becoming visible. 

But it was not newspapers alone that were bringing the new awareness to people in the United States in the late nineteenth century. Magazines as they are known today began publication around 1882, and, in fact, the circulation of weekly magazines exceeded that of newspapers in the period which followed. By 1892, for example, the circulation of the Ladies' Home Journal had reached an astounding 700,000. An increase in book readership also played a significant part in this general trend. For example, Edward Bellamy's utopian novel, Looking Backward, sold over a million copies in1888, giving rise to the growth of organizations dedicated to the realization of Bellamy's vision of the future. The printed word, unquestionably, was intruding on the insulation that had characterized United States society in an earlier period.

The word "exceeded" in line 16 is closest in meaning to _______.

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Câu 18:

Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the correct answer to each of the following question. 

Although social changes in the United States were being wrought throughout most of the nineteenth–century, public awareness of the changes increased to new levels in the 1890's. The acute, growing public awareness of the social changes that had been taking place for some time was tied to tremendous growth in popular journalism in the late nineteenth century, including growth in quantity and circulation of both magazines and newspapers. These developments, in addition to the continued growth of cities, were significant factors in the transformation of society from one characterized by relatively isolated self–contained communities into an urban, industrial nation. The decade of the 1870's, for example, was a period in which the sheer number of newspapers doubled, and by 1880 the New York Graphic had published the first photographic reproduction in a newspaper, portending a dramatic rise in newspaper readership. Between 1882 and 1886 alone, the price of daily newspapers dropped from four cents a copy to one cent, made possible in part by a great increase in demand. Furthermore, the introduction in 1890 of the first successful linotype machine promised even further growth. In 1872 only two daily newspapers could claim a circulation of over 100,000, but by 1892 seven more newspapers exceeded that figure. A world beyond the immediate community was rapidly becoming visible. 

But it was not newspapers alone that were bringing the new awareness to people in the United States in the late nineteenth century. Magazines as they are known today began publication around 1882, and, in fact, the circulation of weekly magazines exceeded that of newspapers in the period which followed. By 1892, for example, the circulation of the Ladies' Home Journal had reached an astounding 700,000. An increase in book readership also played a significant part in this general trend. For example, Edward Bellamy's utopian novel, Looking Backward, sold over a million copies in1888, giving rise to the growth of organizations dedicated to the realization of Bellamy's vision of the future. The printed word, unquestionably, was intruding on the insulation that had characterized United States society in an earlier period.

Why was there a drop in the price of daily newspapers between 1882 and 1886?

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Câu 19:

Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the correct answer to each of the following question. 

Although social changes in the United States were being wrought throughout most of the nineteenth–century, public awareness of the changes increased to new levels in the 1890's. The acute, growing public awareness of the social changes that had been taking place for some time was tied to tremendous growth in popular journalism in the late nineteenth century, including growth in quantity and circulation of both magazines and newspapers. These developments, in addition to the continued growth of cities, were significant factors in the transformation of society from one characterized by relatively isolated self–contained communities into an urban, industrial nation. The decade of the 1870's, for example, was a period in which the sheer number of newspapers doubled, and by 1880 the New York Graphic had published the first photographic reproduction in a newspaper, portending a dramatic rise in newspaper readership. Between 1882 and 1886 alone, the price of daily newspapers dropped from four cents a copy to one cent, made possible in part by a great increase in demand. Furthermore, the introduction in 1890 of the first successful linotype machine promised even further growth. In 1872 only two daily newspapers could claim a circulation of over 100,000, but by 1892 seven more newspapers exceeded that figure. A world beyond the immediate community was rapidly becoming visible. 

But it was not newspapers alone that were bringing the new awareness to people in the United States in the late nineteenth century. Magazines as they are known today began publication around 1882, and, in fact, the circulation of weekly magazines exceeded that of newspapers in the period which followed. By 1892, for example, the circulation of the Ladies' Home Journal had reached an astounding 700,000. An increase in book readership also played a significant part in this general trend. For example, Edward Bellamy's utopian novel, Looking Backward, sold over a million copies in1888, giving rise to the growth of organizations dedicated to the realization of Bellamy's vision of the future. The printed word, unquestionably, was intruding on the insulation that had characterized United States society in an earlier period.

What does the author mean by the statement "A world beyond the immediate community was rapidly becoming visible" in paragraph 1?

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Câu 20:

Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the correct answer to each of the following question. 

Although social changes in the United States were being wrought throughout most of the nineteenth–century, public awareness of the changes increased to new levels in the 1890's. The acute, growing public awareness of the social changes that had been taking place for some time was tied to tremendous growth in popular journalism in the late nineteenth century, including growth in quantity and circulation of both magazines and newspapers. These developments, in addition to the continued growth of cities, were significant factors in the transformation of society from one characterized by relatively isolated self–contained communities into an urban, industrial nation. The decade of the 1870's, for example, was a period in which the sheer number of newspapers doubled, and by 1880 the New York Graphic had published the first photographic reproduction in a newspaper, portending a dramatic rise in newspaper readership. Between 1882 and 1886 alone, the price of daily newspapers dropped from four cents a copy to one cent, made possible in part by a great increase in demand. Furthermore, the introduction in 1890 of the first successful linotype machine promised even further growth. In 1872 only two daily newspapers could claim a circulation of over 100,000, but by 1892 seven more newspapers exceeded that figure. A world beyond the immediate community was rapidly becoming visible. 

But it was not newspapers alone that were bringing the new awareness to people in the United States in the late nineteenth century. Magazines as they are known today began publication around 1882, and, in fact, the circulation of weekly magazines exceeded that of newspapers in the period which followed. By 1892, for example, the circulation of the Ladies' Home Journal had reached an astounding 700,000. An increase in book readership also played a significant part in this general trend. For example, Edward Bellamy's utopian novel, Looking Backward, sold over a million copies in1888, giving rise to the growth of organizations dedicated to the realization of Bellamy's vision of the future. The printed word, unquestionably, was intruding on the insulation that had characterized United States society in an earlier period.

The word "that" refers to _______. 

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Câu 21:

Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the correct answer to each of the following question. 

Although social changes in the United States were being wrought throughout most of the nineteenth–century, public awareness of the changes increased to new levels in the 1890's. The acute, growing public awareness of the social changes that had been taking place for some time was tied to tremendous growth in popular journalism in the late nineteenth century, including growth in quantity and circulation of both magazines and newspapers. These developments, in addition to the continued growth of cities, were significant factors in the transformation of society from one characterized by relatively isolated self–contained communities into an urban, industrial nation. The decade of the 1870's, for example, was a period in which the sheer number of newspapers doubled, and by 1880 the New York Graphic had published the first photographic reproduction in a newspaper, portending a dramatic rise in newspaper readership. Between 1882 and 1886 alone, the price of daily newspapers dropped from four cents a copy to one cent, made possible in part by a great increase in demand. Furthermore, the introduction in 1890 of the first successful linotype machine promised even further growth. In 1872 only two daily newspapers could claim a circulation of over 100,000, but by 1892 seven more newspapers exceeded that figure. A world beyond the immediate community was rapidly becoming visible. 

But it was not newspapers alone that were bringing the new awareness to people in the United States in the late nineteenth century. Magazines as they are known today began publication around 1882, and, in fact, the circulation of weekly magazines exceeded that of newspapers in the period which followed. By 1892, for example, the circulation of the Ladies' Home Journal had reached an astounding 700,000. An increase in book readership also played a significant part in this general trend. For example, Edward Bellamy's utopian novel, Looking Backward, sold over a million copies in1888, giving rise to the growth of organizations dedicated to the realization of Bellamy's vision of the future. The printed word, unquestionably, was intruding on the insulation that had characterized United States society in an earlier period.

Why does the author mention Edward Bellamy's novel Looking Backward?

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Câu 22:

Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the best option for each of the following questions. 

Banana fiber is used in the production of banana paper. Banana paper is used in two different senses: to (23) _______ to a paper made from the bark of the banana tree, mainly used for artistic purposes, or paper made from banana’s fiber, (24) _______ from an industrialized process, from the stem and the non–usable fruits. The paper can be either hand–made or made by machine. The volume of raw (25) _______ for making banana paper around the world on plantations is vast and largely unutilized. The market for banana paper is seen as a growth industry. (26) _______ 1988, in Costa Rica, companies like EcoPaper.com and Costa Rica Natural Paper have been producing 100% industrialized fine environmental and ecological paper derived from natural banana fibers, for the writing and stationery market. 

This industry (27) _______ numerous waste products such as: the plastic that wraps the bananas, plastic cords to tie the wrapping, damaged bananas and the pinzote (stems). An alarming quantity of over of 92% of water, 3% of resins and 2% glucose; the rest is vegetal fiber. This particular composition makes it decompose without the solid component being destroyed. This causes a severe impact on the surrounding ecosystems – much to the detriment of rivers and underground waters

Điền vào ô 23

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Câu 23:

Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the best option for each of the following questions. 

Banana fiber is used in the production of banana paper. Banana paper is used in two different senses: to (23) _______ to a paper made from the bark of the banana tree, mainly used for artistic purposes, or paper made from banana’s fiber, (24) _______ from an industrialized process, from the stem and the non–usable fruits. The paper can be either hand–made or made by machine. The volume of raw (25) _______ for making banana paper around the world on plantations is vast and largely unutilized. The market for banana paper is seen as a growth industry. (26) _______ 1988, in Costa Rica, companies like EcoPaper.com and Costa Rica Natural Paper have been producing 100% industrialized fine environmental and ecological paper derived from natural banana fibers, for the writing and stationery market. 

This industry (27) _______ numerous waste products such as: the plastic that wraps the bananas, plastic cords to tie the wrapping, damaged bananas and the pinzote (stems). An alarming quantity of over of 92% of water, 3% of resins and 2% glucose; the rest is vegetal fiber. This particular composition makes it decompose without the solid component being destroyed. This causes a severe impact on the surrounding ecosystems – much to the detriment of rivers and underground waters

Điền vào ô 24

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Câu 24:

Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the best option for each of the following questions. 

Banana fiber is used in the production of banana paper. Banana paper is used in two different senses: to (23) _______ to a paper made from the bark of the banana tree, mainly used for artistic purposes, or paper made from banana’s fiber, (24) _______ from an industrialized process, from the stem and the non–usable fruits. The paper can be either hand–made or made by machine. The volume of raw (25) _______ for making banana paper around the world on plantations is vast and largely unutilized. The market for banana paper is seen as a growth industry. (26) _______ 1988, in Costa Rica, companies like EcoPaper.com and Costa Rica Natural Paper have been producing 100% industrialized fine environmental and ecological paper derived from natural banana fibers, for the writing and stationery market. 

This industry (27) _______ numerous waste products such as: the plastic that wraps the bananas, plastic cords to tie the wrapping, damaged bananas and the pinzote (stems). An alarming quantity of over of 92% of water, 3% of resins and 2% glucose; the rest is vegetal fiber. This particular composition makes it decompose without the solid component being destroyed. This causes a severe impact on the surrounding ecosystems – much to the detriment of rivers and underground waters

Điền vào ô 25

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Câu 25:

Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the best option for each of the following questions. 

Banana fiber is used in the production of banana paper. Banana paper is used in two different senses: to (23) _______ to a paper made from the bark of the banana tree, mainly used for artistic purposes, or paper made from banana’s fiber, (24) _______ from an industrialized process, from the stem and the non–usable fruits. The paper can be either hand–made or made by machine. The volume of raw (25) _______ for making banana paper around the world on plantations is vast and largely unutilized. The market for banana paper is seen as a growth industry. (26) _______ 1988, in Costa Rica, companies like EcoPaper.com and Costa Rica Natural Paper have been producing 100% industrialized fine environmental and ecological paper derived from natural banana fibers, for the writing and stationery market. 

This industry (27) _______ numerous waste products such as: the plastic that wraps the bananas, plastic cords to tie the wrapping, damaged bananas and the pinzote (stems). An alarming quantity of over of 92% of water, 3% of resins and 2% glucose; the rest is vegetal fiber. This particular composition makes it decompose without the solid component being destroyed. This causes a severe impact on the surrounding ecosystems – much to the detriment of rivers and underground waters

Điền vào ô 26

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Câu 26:

Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the best option for each of the following questions. 

Banana fiber is used in the production of banana paper. Banana paper is used in two different senses: to (23) _______ to a paper made from the bark of the banana tree, mainly used for artistic purposes, or paper made from banana’s fiber, (24) _______ from an industrialized process, from the stem and the non–usable fruits. The paper can be either hand–made or made by machine. The volume of raw (25) _______ for making banana paper around the world on plantations is vast and largely unutilized. The market for banana paper is seen as a growth industry. (26) _______ 1988, in Costa Rica, companies like EcoPaper.com and Costa Rica Natural Paper have been producing 100% industrialized fine environmental and ecological paper derived from natural banana fibers, for the writing and stationery market. 

This industry (27) _______ numerous waste products such as: the plastic that wraps the bananas, plastic cords to tie the wrapping, damaged bananas and the pinzote (stems). An alarming quantity of over of 92% of water, 3% of resins and 2% glucose; the rest is vegetal fiber. This particular composition makes it decompose without the solid component being destroyed. This causes a severe impact on the surrounding ecosystems – much to the detriment of rivers and underground waters

Điền vào ô 27

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Câu 30:

Mark the letter A, B, C or D on your answer sheet to indicate the sentence that best combines each pair of sentences in the following questions

They have lived near a chemical plant for many years. Some villagers have now developed cancer

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Câu 31:

Mark the letter A, B, C or D on your answer sheet to indicate the sentence that best combines each pair of sentences in the following questions

Visitors come to the museum to admire the relics. They were excavated from the ancient tombs

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